U5-The experience of architecture: basic concepts

The foundations of architecture

PLACE

-Relationship of contrast: Architecture dominates the landscape

-Relationship of camouflage and extreme integration

-Relation to organicism: The building is an ode to the place

-Relation to contextualism: This refers to the meaning of the building

SPACE

Frank Lloyd Wright: “The space inside the building is what makes it real”

Alois Riegi: “The objective architecture is divided into two parts (…) The creation of space and its limits”

-Classic space is closed and compact due to the large wall type used in historical architecture. It is centralized in the Renaissance, with at least one point of symmetry.

-Spaces without a centre

– Japanese (traditional space): It is not seen as a single unit or subunit, but rather as the sum of its individual rooms.

Modern space: Breaks down the space compact enough to allow horizontal and vertical connections

-Contemporary Space: Every building space is unique and continuous. This is the birth of the concept of free section, which involves deforming and twisting horizontal planes.

FORMAT

  • Rhythm: Repetition in space of shapes
  • Axis: Linear element which marks a direction and distributes space around it.
  • Symmetry is the regular arrangement of points or parts of a body or figure with respect to a central, axle, or plan.
  • Hierarchy: Relationship between an element and other elements based on a established approach (size , form , situation ).
  • Module: A unitary element that serves as a proportional units and can be repeated on different scales.
  • Grid: A grid of axes that serves as a guide for composition.
  • Movement: The inconsistency of forms and variations of order are the inspirations for the notions of movement and displacement.
  • Unity: The relation of the parts to one another, so that nothing can be taken away or added.
  • Centrality: Space around a central point that attracts people to it.
  • Balance: A complementary relationship between elements of a composition (static equilibrium or dynamic equilibrium).
  • Limits: This is where there is a difference from the rest of the composition.
  • Light: “Our eyes are designed to see the forms under light: The shadows and clearings reveal them” Le Corbusier
  • Contrast: A relation between two objects that is strikingly different.
  • Colour: A chromatic manifestation of the elements to use
  • Texture: The final architectural perception is based on the surface finishing of the components.
  • Proportion: A harmonic relation between dimensions that conforms to mathematical or geometric rules.
  • Scale: The relationship between the building’s size and the human body’s.

FUNCTION

  • Mechanical functionalism: Its roots are in the industrial revolution. The functions it links to create form.
  • Organic functionalism: This is when the form assumes a biological sense and adapts to the living functions that must be performed in the environment.
  • Moralistic functionalism: Utility exists to achieve a goal. Utility and beauty are so closely related that they can become confused. Beauty is precisely the act of making visible its utility and what it serves.

MATERIALITY & STRUCUTRE

Materials

  • Stone
  • Earth
  • Bricks
  • Wood
  • Steel
  • Concrete
  • Glass

Technology

There are many technologies available today that can be of great assistance in architecture.

Computer-aided design (CAD) and Building Information Modelling are two examples of programs that can be used to help you design a building.

Precast architecture and 3D-built houses have been given more importance in the past years. We’ll be watching to see if these two aspects continue to gain prominence over the coming years.